Category Archives: #yeahnoir

When an atrocious murder of a pregnant woman is committed in Dunedin, Detective Sam Shephard’s boss wants her off the investigation – he doesn’t believe “because of your own advanced state of pregnancy, that you would be able to remain … Continue reading →

Birnam Wood starts with mellifluous prose revealing the motivations, attitudes, and self-doubts of three characters who started the gardening co-op that gives the novel its name. Birnam Wood was Mira Bunting’s idea, using unused land to grow vegetables, sometimes without … Continue reading →

Lorraine Henry is living in Masterton with a dicky hip and the memories she shared with her husband Frank, a cop who died through misadventure on the job. She works as a file clerk at the local police station, and … Continue reading →

Hotels are great thriller/mystery/horror settings – lots of corridors with lots of rooms, lots of creaky staircases, lots of people passing through over many years leaving stories and ghosts, and lots of places to hide bodies! In Her Blood uses … Continue reading →

Set on a remote Central Otago sheep station, The Axeman’s Carnival is a dark tale of violence and cruelty. The story unfolds in a menacing way – with the reader knowing bad things are coming and wishing they could get … Continue reading →

Tibbie, Carmen, and Austin have been friends for years. Tibbie and Austin partnered up, and when Carmen married Stan, he eventually blended into the group. Then Carmen and Stan had twin boys, who Austin and Tibbie dote on. The four … Continue reading →

A small mistake leads to two people lying dead and their eleven-year-old son in a coma. The investigation eventually dwindles with the only suspect having a strong alibi, one provided by the cops who were arresting him the other end … Continue reading →

Detective Senior Sergeant Hana Westerman is an artist, a mother, a gardener, and “the finest police officer”. She is dedicated and focussed and used to pressure. But when she is singled out by the perpetrator of what turns into a … Continue reading →

Laurence Fearnley transports us to places with her writing, whether it be the rocky coast (Reach 2014), wetlands (The Quiet Spectacular 2016), or, in the case of Winter Time, the Mackenzie Basin, in the centre of the South Island. Her … Continue reading →